中文摘要：

清朝末年的资产阶级戏曲改良运动从现代性诉求出发高度肯定了戏曲的社会地位和巨大功能,基于变革社会、救亡图存的进步要求,在肯定戏曲的同时又从启蒙现代性出发批判了传统戏曲思想内容的迂腐俗套,从审美现代性出发既肯定了戏曲的特殊艺术魅力又批判了戏曲审美形式的刻板僵化,给我们留下戏曲与社会关系的百年思考。

英文摘要：

At the end of the Qing dynasty,the bourgeois conducted an opera improvement movement. On the appeal to modernity,the opera＇s social status and tremendous function were highly affirmed. Based on the transformation of the society and the advancement of salvation,the movement put forward criticism to the pedantic content from enlightenment modernity. And from the aesthetic modernity,the improvement movement affirmed the special artistic charm of drama and criticized the rigid aesthetic form. This movement makes us think about drama and social relations.