该文以唐河市政广场为例,介绍了其围绕和谐定位的哲学、社会、音乐、意境等理念内涵,并从万物之和、空间之和、节奏之和、凝聚之和四个方面阐述了其与广场立意、结构、布局、节点的对应关联,提出了通过提炼主题赋予广场灵魂的设计方法来破除当今广场营造模式化、“八股”化的问题。
In this paper, we use Tanghe Harmony Square to discuss the harmony conception in square design from four aspects of philosophy, society, music, imagery, and associate this conception with square's conception, structure, layout, nodes. Recommendation has been proposed to the stereotyped phenomenon in square design.