中文摘要：

宏观而言，在构成方式、构成角度和构成话语等方面，当代俄罗斯戏剧具有多重维度和多重态势。它既与当代俄罗斯文学有不可分割的审美性关联，又与当代俄罗斯艺术有不可忽视的演剧性联系；既与当代俄罗斯社会历史有密不可分的发生学联系，又有与众不同的独立存在的本体性规范。由此，当代俄罗斯戏剧研究应将微观诗学分析、舞台剧场考察与宏观历史把握结合起来，在文本细读中把握文学的审美特质和艺术特征，在审美观照中阐释作家的艺术创作和思想呈现，在舞台演剧中呈现戏剧的导演理念和剧场特色。进而从文本之内的形式分析走向文本之外的思想探讨，从剧作文本的舞台阐释走向导演理念的话语建构，形成文本承继与作家嬗变、导演理念与演剧变异、传统变迁与时代更迭彼此融合的历史脉络。

英文摘要：

Generally speaking, contemporary Russian theater has multiple dimensions and multiple situation in the form way, angle and discourse. It not only has an inseparable aesthetic relationship with contemporary Russian literature, but also has an important dramatic connection with contemporary Russian art. Meanwhile, it has a close connection with contemporary Russian social history from the genesis perspective, and a distinct independent existence of ontology specification. So, the study of contemporary Russian theater should combine the analysis of micro poetry with macro historical grasp, analyze the aesthetic and artistic features of literature in the close reading of texts, and interpret the author＇ s artistic creation and thought appreciation under the aesthetic perspective. In one word, it should study form analysis of the external text and ideological explanation of the internal text, and forms the historical thread of text inheritance, traditional change, writer＇ s evolution and times change.