中文摘要：

本文在全面搜集整理《全宋诗》《全宋诗订补》及相关的补遗论文中的660馀首咏经诗的基础上,以历代咏经诗及儒家文化为参照,从社会文化渊源、思想内容和艺术审美理想等方面宏观考察了宋人咏经诗,挖掘其中体现出的时代精神、文人的独特心态以及经学文化之新变。认为宋人咏经诗继承了前代咏经文学及诗体蒙学教材编纂的优良传统,有所创新地走向繁荣,既丰富充实了宋诗的题材内容,反映并推动了经学思想的传播普及,又提高了艺术品位和审美效果,从而成为咏经诗发展阶段上的一座高峰。这与宋代统治者的大力提倡、理学家先经后史的观念、社会训蒙需求及宋学的繁荣发展等现实内容紧密结合在一起,形成了一个较为完整的价值体系。

英文摘要：

Based on the comprehensive collection ＂the song poetry＂ , ＂song poetry book for all＂ and related supplement in the paper by the rest of 660 poems, on the basis of in all previous dynasties of the poem and the Confucian culture as the reference, from the social and cultural origin, ideological content and artistic aesthetic ideal macro inspected the sung people who read the poem, mining which reflects the time spirit, the psychology of the literati＇s unique culture of new Confucianism. Argues to sing the poems inherited the former generation of poor elements textbooks compiled by literature and poetry tradition of ex- cellence, innovation to prosperity, not only enriching the subject contents of song poetry, reflect and pro-mote the spread of Confucian classics, and raised the artistic taste and aesthetic effect, so as to become a stage of the development of a peak. The rulers in the song dynasty, strongly advocated, the idea of neo--confucianism history after the first demand and social schoolmaster to reality content such as the prosperity and development of the song together, formed a relatively complete system of value.