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中文摘要：
文章从文化的现实旅游景观虚构角度对《白蛇传》故事进行人j胜再诠释。从现实角度而言，“雷峰塔”故事的兴起，与西湖三塔的被毁有关。现今杭州的旅游城市定位与《白蛇传》有关，甚至出现《白蛇传》故事与现实旅游景观对接。这实际上反映出《白蛇传》是早已脱离“死去”的“活”的文本，它使文化在现实中虚构再生。本文在文本与现实的强大反差之间探讨，并最终得出结论：《白蛇传》是对人欲的肯定与挣扎，《白蛇传》的文化定格使雷峰塔成为女性追求自由爱情的一个归结性悲剧造型。
英文摘要：
This article interprets the characters in The White Snake from the perspective of fabricating the real tourist landscape of culture. From the practical point of view,the emergence of the Pagodag story is relevant to the destruction of the three Pagodas on the West Lake. Today, Hangzhou, as a tourism city,is linked with The White Snake and even the tourism landscape described in the story appears. It in fact reflects that The White Snake already comes out of the dead text and becomes an alive text, the culture regenerating from the fiction. Between the text and reality. This article makes researches and draws conclusions that The Wh/te Snake accepts the human nature, though being struggling, and that the story＇ s cultural frame makes the Pagoda a tragic mould for the female in pursuit of free love.
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