“笙鼓地”是黔东南苗族的灵魂归宿之地,也是祖灵的起始之地,以焚巾曲的歌唱形式和“阀嘎闹”的巫术形式流传于苗族聚居区。通过介绍《焚巾曲》与“笙鼓地”间的联系,解读其仪式和内容,揭示苗族人的“死后世界”,诠释苗族人对未来生活的期望。
"The land of Sheng gu "is last home where every hmong~s soul of the Southeast Qian will go back when they dead. It is spread in hmong settlements by the form of The Song of Burning Handkerchief and " Fa ga nao". By introducing the link of both, Unscrambling its' ceremony and content, to reveal the Hmong "after the death of the world",and interpret the hmong expectations of the future life.