文章以苏珊·朗格《情感与形式》一书中的音乐美学思想作为理论出发点,从音乐的本质、音乐的语言性、音乐的时间性、音乐的幻象性、音乐的三要素(作曲家、演奏或演唱者、欣赏者)等方面对音乐的特性进行解读与诠释,试图扩展朗格的符号关学对音乐的理论性诠释,从人自身的生命形式出发,朝向音乐本身,从而使音乐概念更加具体和完善。
The property of music is explained and interpreted on aspects of the essence of music, the linguistic nature of music, the time of music, the illusion of music, and the three elements of music (composer, performer, and listener) by taking the music aesthetic thoughts in Susanne K. Langer's Feeling and Form as a starting point. This paper tried to extend Langer's theoretical interpretation therefore perfected and concreted of music with her symbol aesthetics, from the life form of human to the music itself, and the concepts of music.