运用口述历史的研究方法,以莆仙民间音乐传承人为访谈对象,挖掘莆田城内文峰天后宫(简称文峰宫)《妈祖经》音乐,通过对两个版本的音乐比较与分析,提出对《妈祖经》音乐活态传承的一些看法。
This thesis employs oral history as the research method. Based on the interviews with inheritors of Puxian folk music, it delves into Mazu Chanting musicin the wenfeng Temple of Putian city. It compares and analyzes two versions of the Mazu Chanting music. It puts forward some proposals for the dynamicinheritance of mazu music.