在20世纪30年代,中国对陀思妥耶夫斯基的研究逐渐深入,很多文章都具有相当的思想深度,在关注陀思妥耶夫斯基艺术创作其他领域的同时,《罪与罚》成为这一时期的研究焦点,与此同时,左翼文学势力也展开了对陀思妥耶夫斯基的批判。
In the 1930s,research on Dostoevsky deepened gradually.Many articles developed considerable depth of thought,in which Crime and Punishment became the focus in this period,in addition to other areas of Dostoevsky's artistic creation.Meanwhile,the left-wing literature force launched criticism on Dostoevsky.