中文摘要：

徽州文化绝非是静止不动的,等待学者阅读的＂死去＂文本。那么如何以动态的观点借鉴新文化地理学的框架重新解读徽州文化？文章构筑了实体文化空间、经济文化空间与符号文化空间三个层面的研究框架。实体文化空间表现在：徽商在新安江流域充分利用自然环境本体营造聚落民居,在新安江流域营造水口园林形成独特景致,在离居地中心营建私家建筑园林形成园林空间的异地移植。经济文化空间表现在：徽商重视原始资本积累与资本的空间回流,在内外交困中历经兴衰的时空转折,并且比较了徽商没能复活的不同经济文化空间。符号文化空间表现在：徽州山水画创作和积累,在纸上再现徽州文化符号。徽商影视剧在荧屏上再现徽州文化符号。最后讨论认为这三种文化空间共同构建了复合的乡村文化共同体。

英文摘要：

Huizhou culture is motionless,waiting for the scholars to read ＂dead＂ text.How dynamic perspective from new cultural geography framework to the culture of Huizhou？The article builds entity,economic and cultural space and cultural space of cultural symbols in space in 3 dimensions in the research framework.Solid culture：spatial performance in the Xin＇an River Basin to make full use of natural environment ontology building settlement houses,in the Xin＇an River Basin construction of Shuikou garden forms a unique scenery,in house center construction private garden architecture garden space in the form of allopatry transplantation.Economic and cultural space：the emphasis on primitive accumulation of capital and capital flow in space,on the rise and fall of the time beset with troubles internally and externally through turning,and a comparison of the Huizhou merchants could not risen in different economic and cultural space.Symbol of cultural space：performance in Huizhou landscape painting creation and accumulation,in the paper on the reproduction of Huizhou cultural symbol;the film and television drama,on screen reproduction of Huizhou cultural symbols.Finally discussed is that the three kinds of cultural space constitute the composite rural cultural community.