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中文摘要：
《荒原与人》的舞台表演中，导演将三十五年前、三十五年后和当下的生活空间整合成一个同存性的舞台空间，并用硬性舞美和软性舞美对这个舞台空间加以丰满，使舞台空间、人物空间、审美空间融为整一的艺术空间。这既继承了现实主义舞台空间的生活真实，又是对现代话剧舞台打破时空界限、后现代话剧舞台高度拟真空间的有效利用。该舞台空间的设置清晰的表征了新时期中国话剧舞台空间的转变轨迹。
英文摘要：
In ＂The waste land and people＂ stage performances, the director integrated thirty-five years ago, after thirty-five years and current living space into a same being of stage space. And with hard and soft stage art to full the stage space, he made the stage space, character space, aesthetic space perfectly into the whole an art space. It not only inherited the realistic stage space of showing real life, but also is the modern drama stage of breaking the barriers of time and space, the postmodern drama stage that height to photo-realistic the real life the effective use. The setting of the stage space clear represented a new era of modern Chinese drama stage space＇s transition trajectory.
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