中文摘要：

陈建斌的处女作《一个勺子》以鲜明的作者风格,挖掘出人在现实世界中的存在主义境遇。借鉴戈夫曼的“区域理论”和海德格尔的“此在世界”概念,探讨这部电影如何通过镜头语言表现目光的位置、方向、移动以及空间、面部的可见/不可见性,展现人物在不同世界中的生存现实。最后,以文化维度和伦理维度,拓宽此在的真实境遇,统携目光、区域、此在、世界的存在论美学。

英文摘要：

Chen Jianbin the real world with distinctive ＇ s debut A Fool explores into the depth of the human existential circumstances in auteur style. In the perspective of Erving Goffman＇ s ＂region theory＂ and Martin Heidegger＇ s ＂Dasein-World＂, this article explores how the film expresses the position, direction and motion of sight and the visibility and invisibility of space and faces through camera language in order to present the exis- tential reality of characters in different worlds. Finally, the paper expands Dasein＇ s real circumstances in which sight, regional space, Dasein and existential aesthetics are integrated from the dimension of culture and ethics.