中文摘要：

库切将小说《福》的写作立场置于南非的后殖民语境中，对《鲁滨逊漂流记》进行了后现代重写。库切借用后现代主义的叙事策略，消解了传统现实主义文学用语言所构建的历史真实感，揭露了历史写作中的权力结构，从而形成了对帝国主义文化霸权的颠覆的主题。从对二元对立关系模式的解构这一特定视角，库切的这种对传统现实主义的文学解构，可以说是一种非殖民地化的书写行为。

英文摘要：

Coetzee contextualizes the writing position of the novel ＂Foe＂ in light of South African postcolonial context, and has a postmodem rewriting of ＂Robinson Crusoe＂. Coetzee employs all kinds of postmodernism narra- tive ploys to undermine the sense of true history, which is constructed by realistic language. Consequently, it reveals the power structure in the history composition, and finally forms the theme of subverting the hegemony of im- perialism culture. So it can be said that Coetzee＇ s literary deconstruction of traditional realism is a writing act of decolonization.