中文摘要：

中缅胞波狂欢节，作为一个新近诞生的“传统节日”，走过了“政府搭台，文化唱戏”——“经济、文化搭台，文化唱戏”——“文化搭台，经济唱戏”的“搭台与唱戏”模式的转换过程。中缅胞波狂欢节的年度实践，以“和平、发展、吉祥、共欢”的节日主题，仪式性地维护着中缅邦交的期待与愿景，对于缓解中缅局部边境问题具有缓解、按摩作用。如何平衡“文化搭台”（文化交流）和“经济唱戏”（产业表演）的重心，让节日回归中缅民众狂欢、交流的初心，成为当地节日组织者亟待面对的实际问题。

英文摘要：

BAOBO Carnival in Sino-Myanmar Ruili border, as a newly-born festival, has experienced a three-evolutional process from ＇governance-aided culture as the main content＇ through ＇economy-and-culture-led culture as the main content＇ to ＇ culture-dominated economy as the main content＇. The theme of BAOBO Carnival is ＂peace, development, auspiciousness and happiness＂ with the ceremonial and ritual function to maintain the anticipation of the Sino-Myanmar diplomatic relations and to alleviate the Sino-Myanmar local border issues with easing and lubricating effect. The cardinal issue confronted the local government is how to balance between the ＂culture as a stage＂ （cultural communication） and ＂economy playing＂ （industrial performance） in order to bring the BAOBO Carnival back to its original purpose and aspiration of hilarity and cultural communication.