1930年代上海都市生活、文化中摩登女郎的出现,冲击了既有的性别秩序,给都市作家带来了焦虑和恐惧。男性作家在文本中将摩登女郎物化、对象化和色情化,使其成为"恶"的代名词,从而在道德上凌驾、驾驭女性。文本中的厌女现象表现了男性再次掌控"她者"的努力,显示了文本与权力之间的关系。
in the city life of Shanghai in1930s, the emergence of modem girls impacted the existing gender order and brought anxiety and fear to the urban writers. Male writers materialized and eroticized modem girls in the text, which made them become the pronoun of "evil". Thus they reined in women from morality. The phenomenon of misogynist phenomenon in texts shows that male's efforts to recontrol "Her", and the relationship between texts and power.