民国时期词学对王国维"境界"之论予以了不断的消解与辨析,其内容主要体现在三个维面:一是从本体意义上对王国维"境界"说予以反思;二是对王国维所言"隔"与"不隔"艺术表现之分予以论说;三是对王国维所倡"有我之境"与"无我之境"予以辨析。它们彼此间相互依托、相互生发,从不同视域拓展、充实与完善了传统词境论的内涵,将传统词境论引入了一个新平台,标示出传统词境之论的新进境。
Wang Guowei’s theory of realm is constantly deconstructed and discriminated by the Ci poetics during the Republic Period of China,which mainly covers three aspects. The first is a reflection of Wang Guowei’s realm theory from ontology,the second an adequate discussion of artistic expression proposed by Wang Guowei to distinguish "isolation"from "undividedness",and the third a discrimination of "the context with or without oneself"advocated by Wang Guowei. These three rely on and function mutually to expand,enrich and perfect the connotation of traditional theory of the Ci context from the different perspectives,which introduce it to a new platform while marking its new progression.