中文摘要：

民国以来传统词学视野中的词情论主要体现在三个维面：一是对＂情＂作为词作生发之本的标树,二是对词情表现特征与要求的论说,三是对＂情＂与其他创作因素关系的探讨。其中,第二个维面主要包括词情表现含蓄蕴藉与真实自然要求之论;第三个维面主要包括词作＂情＂与＂景＂＂意＂＂辞＂关系之论。上述几个维面继续多向度地展开了古典词情之论,标示出了传统词情论的有效延伸与发扬光大。

英文摘要：

The theory of the sentiment in the view of traditional Ci- poetry since the Republic of China is mainly reflected in three dimensions： one is to praise the sentiment as the original of Ci- poetry coming into being;the second is argumentation of the characteristics and requirements of the sentiment; and the third is discussing the relationships between the sentiment and other creating factors. The second dimension mainly comprises the sentiment performance implication and true nature requirements; and the third dimension mainly comprises the relationships between the sentiment and scenery,meaning and word. The above three dimensions continue to carry out the discussion of the sentiment in the classical Ci- poetry,marking the effective extension and development of the theory of the sentiment of traditional Ci- poetry.