中国古典园林声景思想是在传统“天人合一”宇宙意识下,结合儒、道、释哲学背景,并经诗画艺术的审美提炼与造园实践的经验总结共同建构起来的。其核心不在声音的物理数量控制,而在如何透过声音表达心灵内容,从而实现园林环境对人生命的颐养。立足传统造园背景,就这声景思想发生、发展,乃至何以如此的深层社会机制与文化动因进行了梳理,揭示了其不同于西方现代声景理论的文化特征与技术逻辑,为后续研究奠定了基础。
Soundscape in Chinese classical garden is developed under lhe universe view of "harmony of man with nature", and is formed through the aesthetic refinement of poetry and painting arts and the experience of gardening practices with the philosophy background of Confucianism, Taoism and Buddhism integrated. Such soundscape doesn't focus on the control of sound in a physical manner; the more important is how to express human feelings through sound, and hence peace can be achieved and soul can be escalated. In this paper, the formation and development of the soundscape thought of Chinese classical garden are investigated, and its reJated social and cultural reasons are investigated as well. In this way, the characteristics of the soundscape thought of Chinese classical garden is revealed.