中文摘要：

在史铁生小说中,＂务虚＂是其造艺的本体、表象亦手段。探讨生命存在的＂务虚＂主题与突破常规视阈的＂务虚＂视点同构,具体表现为：呈现为＂我＂与印象之悖论的＂我＂的视点;穿越生与死的亡灵视点;由有限维度走向＂无极之维＂的视点越界。＂务虚＂视点的运用,既是结构与文体上的需要,更由作者与世界的原初联系决定。它将作者＂务虚＂的生命世界与艺术世界同一架构起来,作者由此视点走向生命之惑的问与路;循此视点,文本与读者的＂视野融合＂起来,读者也走向那问与路。其人其作既在世界之外,自成一界;又自由无界,无限生成。

英文摘要：

In Shi Tiesheng＇s novels,＂principle discussion＂ is the body,presentation and method.of creation The ＂principle discussion＂ subjects（on life existence）and view points（on breaking common visual threshold）share the same structure.It shows as following view points：＂I＂ and impression paradox ＂I＂;ghost of passing through life and death;and view point out of range from limited dimension to ＂indefinite dimension＂.The application of ＂principle discussion＂ is a need of structure and style,also decided by the original connection between authors and world.It constructs the author＇s life with the art world.From the view point,the author goes to the life puzzles and the texts combines with the readers.The man and the works are outside of the world,meanwhile,they are without any boundaries.