本文提出了“文化景观→文化载体→空间数据库→载体联合→文化景观”的非物质文化空间数据库与地图化表达模式,为开展系统性文化地理研究奠定基础。蔚县剪纸的实证研究中,通过解析蔚县剪纸文化景观,建立了包括艺人、生产作坊、文化受众、网络店铺等10种文化载体的空间数据库;通过不同的文化载体整合实现艺人分布空间、艺人行为空间、艺术风格空间、艺术传承空间和产销空间等地图表达成果。地图表达为进一步开展景观格局特征及其驱动机制的挖掘分析奠定了基础。本文是针对文化地理研究方法论的探讨和实证,通过文化景观的抽象语言描述到地图可视化表达,为非物质文化现象的时空研究提供了新模式。
Every since the research of intangible Cultural Geography have begun to use some tools like GIS to do quantitative research and visual expression, it is still lack of a research mode based on a systematic de- signing. This paper provides a logic research mode for intangible Cultural Geography as "cultural land- scape---cultural carders--geodatabase----carrier combination--cultural landscape", which is used for spatial database designing and cultural map visualization. It establishes a foundation for conducting the systematic cultural geography research. Taking the culture ofYuxian papercuts as an case, it builds a spatial database of papercuts culture, including the dataset of basic geographical information, dataset of cultural carriers and the dataset of other subjects. Among them, the dataset of cultural carder involved 10 kinds of cultural carrier fea- tures such as papercuts artists, production workshops (factory), cultural audiences, online shops, etc. The da- taset of other subjects consists of several features like memorabilia of papercuts, folktale and culture seman- tic meaning, etc. With the help of GIS analysis and visualization tools, making use of the link realizing be- tween the spatial attribute fields of cultural carders and the basic geographical features, the spatialization of carriers can be achieved. Based on the combination of various cultural carriers by using cultural landscape se- mantic meaning, it rebuilds the cultural landscape semantic meaning and forms some expression achieve- ments of map visualization such as the distribution space of papercuts artists, the behavior space of artist, the space of arts style, the inheritance space of arts, and the space of commodity production and marketing, etc.