中文摘要：

康巴藏戏作为藏戏的有机组成部分，随着藏戏研究和康巴文化研究的深入，以及康巴旅游、产业转型、社会发展的现实需要而日益得到重视。笔者拟对国内二十世纪三十年代至今的康巴藏戏研究作一综述，以期理清思路，更好地开展康巴藏戏相关研究及其实践。

英文摘要：

Tibetan-drama is a representative part of the splendid Tibetan historical culture.It holds an important historical position in Tibetan cultural art, and is regarded as “the pinnacle of Tibetan arts”.Khampa Tibetan-drama is a signif-icant component of Tibetan-drama.Following an in-depth research on Tibetan-drama and Kham-pa culture, and the transformation of Tibetan tourism and industry, and the needs of social de-velopment, Khampa Tibetan drama has been given more and more attention.There has been continu-ous debate on the types and schools of Tibetan -drama from the 1980s to the present.Following the in -depth investigation and research, the debate has found some common understanding.However, if seen from the published articles, the viewpoint is still not totally the same, including the viewpoint on Khampa Tibetan-drama.Generally speaking, Khampa Tibetan-drama has four meanings：1 ） it refers to Tibetan -drama in the Kang area.2 ） it refers to the Tibetan -drama in the Kang dialect zone;3 ） it refers to the Tibetan drama in Ganzi Tibetan Autonomous Prefecture of Sichuan Prov-ince; and, 4 ） it refers to the Tibetan -drama transmitted from Tibet to Ganzi of Sichuan.