手工艺遗产因其“工”的可复制性,“品”的可消费性,“手”和“艺”的异文化性,而成为文化旅游消费主要对象之一,旅游消费既使手工艺遗产得到复兴,引起社会重新审视手工艺的价值;又在迎合旅游者的消费取向过程中,使得手工艺遗产存续发生异化。文章在梳理国内外关于手工艺遗产研究的基础上,认为手工艺遗产保护的关键在于“手”和“艺”,即手工艺遗产的原生性主体和其对手工艺的实践、认知与价值内化,手工艺遗产保护传承应以手工艺品的原生性主体对其分类为指导,以“手、工、艺、品”四个层面为方法,从而实现手工艺遗产的活态、原真性保护传承。
Handicrafts as one of the main consumer products have enjoyed a revival through the con-sumer handicraft heritages and aroused more people's interest in assessing their value.However,this process has led to an alienation of handicraft heritages due to their catering to some consumer orienta-tions.With a review of the relevant studies both at home and abroad,this research reaches the con-clusion that the protection of the handicraft heritages in the consumer society should rely on the classi-fication of handicrafts,that is,on the four levels of “hand”,“craft”,“art”and product so that a dy-namic protection and inheritance of the authentic handicrafts can be realized.