中文摘要：

在它在 1980 的第一份出版物的很少年以内，奶妈 Houyings 很流行、争论的新奇的人，啊，人！在整个汉语和英语世界从文学学者引起了重要注意并且被开明人性学者讲话经常作为解冻文学的代表性的工作或作为请求解释复兴人。最近，人的观点的如此的拨给从重游 1980 年代() 组和开始重新估计的一些西方的批评学者的 Beijingbased 两个都在一些批评家之中提起了怀疑在 1980 年代中国的马克思的人性。然而，这份报纸试图利用几 posthumanist 是的批评理论固执地提防到重新解释的开明、马克思的人性的理论限制这篇小说。这里，新奇的人，啊！人，能包含人的声音的各种各样的类型的矛盾和和解。这份报纸将重游它新生的人的数字与对方一起遇到并且竞争的剧场的背景。而非一位人性学者英雄的突然的出现，或一位马克思的人性学者英雄，它是相遇狡猾野蛮个人，敌人追求现世的幸福，和浪漫主义者，提供杳无人迹的路径来临历史真实。这份报纸将在虚构结构展出他们的联合，排列，和彩排。

英文摘要：

Within the few years of its first publication in 1980＇ Dai Houying＇s most popular and controversial novel Human, Ah, Human! drew significant attention from literary scholars throughout Chinese and English world and was often interpreted by the liberal humanist discourse as the representative work of the ＂thaw literature＂ or as the plea to revive the ＂human.＂ Recently, such appropriations of the notions of ＂the human＂ have raised suspicions among some critics both from the Beijing-based ＂revisiting the 1980s （重返八十年代） group＂ and some Western critical scholars, who begin to reevaluate Marxist humanism in the 1980s China. This paper, however, attempts to utilize several post-humanist critical theories that have been persistently on guard against the theoretical limits of both liberal and Marxist humanism to reinterpret this novel. Here, the novel Human, Ah! Human, is able to encompass both the contradiction and reconciliation of various kinds of ＂human＂ voices. This paper will revisit its theatrical setting where the newborn ＂human＂ figures encounter and contend with one another. Rather than the sudden emergence of a humanist hero, or a Marxist humanist hero, it is the encounter of the Machiavellian wild individual, the philistines who pursue earthly happiness, and the romantics, that offer the untrodden path to approach the historical ＂real.＂ This paper will exhibit their combinations, permutation, and rehearsal in the fictional structure.