通过查阅相关文献档案,对流失法国巴黎吉美博物馆的《圆明园地盘全图》进行全面考证,依据其呈现的圆明园格局和绘制特征等线索,初步推断出其绘制年代在咸丰末年至同治末年之间,极有可能为咸丰末年初始绘制,同治末年重复使用,这一特点恰好与众多样式雷图档所呈现的特征相契合。同时,梳理了图面所包含的同治年间重修圆明园工程的格局变迁,如九州清晏、廓然大公等景区的更迭设想,由此,较为全面地澄明这一珍贵图样的历史价值,以裨益于相关研究工作的深入开展。
In this paper the Yuanmingyuan Garden site-wide painting-like map being collected in Museum Guimet in Paris of France is investigated by accessing to related documents to put in order a pattern of the garden. The result of the drawing time was from late Xianfeng period (1860s) to late Tongzhi period (1870s). The most impossible drawing time started from the end of Xianfeng (1860s), and then in late Tongzhi period (1870s) it was drawn again, which was same as other Yangshi Lei Archives. At the same time it is attempted to make clear the change of layout during the reconstruction of the garden during Tongzhi period (1870), such as Jiuzhou Qingyan and Kuoran Dagong. Then the historical value of the map is clarified in order to benefit more in-depth research to be carried out.