赵尊岳的词作艺术创作观以对词心、词情、词笔的阐说为核心而展开。他以“词心”为词体创作的内在本源,以“词情”为词体美感的生发之本,以“词笔”为词体美韵的呈现形式,认为三者相辅相成,一同成为词的创作过程中不可或缺的要素系统,始终推动与建构着词作艺术呈现的全过程。
The view of Zhao Zunyue' s Ci - poetry artistic creation expands with explaining the Ci - poetry heart, Ci - poetry feeling and Ci - poetry artistry as the core. He takes Ci - poetry heart as Ci - poetry creation inner source, Ci -poetry feeling as the foundation of the Ci -poetry aesthetics germinal root, Ci -poetry artistry as the present form of the Ci -poetry beautiful rhyme. He thinks that the three complement each other, together with the system becoming the indispensable element in the creation of Ci - poetry and always of constructing Ci - poetry' s art. pushing the whole process