我国传统词学批评中尊体论的承衍,主要体现在三个维面:一是从创作实践之难角度对词体的推尊,二是从诗词同源或同旨角度对词体的推尊,三是从有补于诗歌情感表现角度对词体的推尊。上述几条线索,从主体层面上展开了对词之体制的推尚,将传统词学批评中尊体论的基本面目清晰地呈现了出来。
The connecting link and spreading out oi the theory ot respecting Ci-poetry's style in Chinese Classical Ci-poetry, mainly embody in three aspects: the first is the theory to respect Ci-poetry’s style from the angle of the difficulty of writing, the second is the theory to respect Ci-poetry's style from the angle of the poetry and Ci-poetry are the same fountain or the same aim, the second is the theory to re- spect Ci-poetry's style from the angle of that conduce to represent the feeling of poetry. The above-men- tioned clues, deploy the respecting to Ci-poetry from de angle of main body, syllabify present the basic face of the theory of respecting Ci-poetry's style in Chinese Classical Ci-poetry.