1920年代,鲁迅对于"青年问题"的发言与以"新政治"为目的的文化追求密切相关。他批判对于"青年"体制化的召唤,拒绝"青年"参与自然序列、社会序列的成长,从而强化了"青年""新政治"的文化功能,淡化其代际内涵。这些言行都是为了塑造"青年"成为革新文化的社会学载体,给予"青年"成就"一种新的政治可能"的希望。本文的研究有助于重新审视鲁迅的文学创作与二十世纪中国政治变动之间的深层关系,并探究鲁迅在"青年"作为"文化符号"和"审美符号"的"建构"中所起的重要作用。
Lu Xun's speech in the 1920s concerning the issue of the youth is closely related to the cultural pursuit oriented to new politics. He criticized the appeal for the systemized youth, stressing the youth's cultural function of new politics. What he said and did is aimed at moulding the youth into a sociological vehicle of reform culture and bringing the youth the hope to achieve a new political possibility. The present study contributes to reviewing the relationship between Lu Xun's literary works and China's political changes in the 20^th century and exploring his significant role in establishing the youth as both a cultural symbol and an aesthetic symbol.