中日两国的祭祀性观演建筑在历史上有着很深的渊源,在建筑形态上也有诸多相似之处,但是其在空间布局和使用方式上却有很大的不同.通过对中日祭祀性观演行为及其观演空间的对比研究,从"行为·场所"的视野出发,深层次地探讨中日祭祀性观演场所的差异性,提出因中日传统祭祀观念的不同,促使了两国祭祀性演出行为的不同,进而在演出的正面性导向下,形成了观演空间的同化和异化现象,导致了中日祭祀观演空间的异同.
Traditional theater building,which is a type of architecture closely related to the traditional performing arts,has deep roots between China and Japan since a long time ago.They have many similarities.However,the spatial arrangement and the use-pattern are different.The author starts from the view of "behavior and place",deeply analyse the reasons that help pushing the evolution of Sino-Japanese traditional theater building.Put forward is the view that due to the differences in sacrificial concept between China and Japan,which make the performances are different,and form assimilation and dissimilation phenomenon in performance space from the positive guidance in the performance.This also caused the the similarities and differences in the sacrificial performance space between the two countries.