《冷也好热也好活着就好》作为池莉代表作之一,其对话性在汉味小说的向度上复写了武汉方言,建构了市井风物,留存展示了荆楚之地特有汉味文化;在“新写实”小说的向度上组织了市民生存话语和政治话语、知识话语间的两场交流,记录再现了普通市民阶层内部话语状况。这表现了池莉对汉味文化的认同与对市民生存话语的皈依。
As one of the representative fictions of Chi Li, Whether or Not, Better to Live has a rich meaning of the dialogue. From the perspective of JiangHan Style fiction, the dialogue copies WuHan di-alect, builds imaginary WuHan landscapes, and demonstrates the unique JiangHan culture in HuBei. From the perspective of New Realistic fiction, the dialogue organizes two debates between survival discourse and political, intellectual discourse, as well as records the circumstance of discourse within the ordinary citizen class. It shows that Chi Li recognizes JiangHan culture and agrees with citizen survival discourse.