文章为2016年1月第九次玉帛之路(关陇道)田野考察笔记。从通渭县碧玉乡的玉料调研采样,到庄浪县齐家文化遗址密集分布,再到华亭的关山古道和崇信的月氏道,关注镇原县常山下层文化佩玉巨人的意义探究。提示中国西部史前玉文化的源流,即齐家文化玉器的来源和去向,聚焦常山下层文化和先周文化中的玉礼器。通过介于陇山两侧的渭河流域与泾河流域的古道关联,寻找西玉东输的入关路网,兼及琉璃之路和黄金之路的传播以及秦式玉器与西戎文化的联系。
This is about the report of the 9th field investigation on Road of Jade Objects and Silk Fabrics (Guanglong Path) in January of 2016. The discussion of the significance of the Jade--wear- ing Giant of the Lower Changshan Culture in Zhenyuan County is based on the jade samples in Biyu Township of Tongwei County, the densely--distributed sites of Qijia culture in Zhuanglang Coun- ty, the Guanshan Ancient Path in Huating County and the Yuezhi Path in Chongxin County. It is suggested that the jade sacrificial vessels, part of the Lower Changshan Culture and the Pre--Zhou Culture, reflect the source and development of the pre--historic jade culture in West China, name- ly, where the jades of Qijia Culture came from and went to. The ancient path of the Weihe River Basin and the Jinghe River Basin on both sides of the Longshan Mountain made it possible to carry jades from the west to the east. It also resulted in the communication of the Glass Road and the Gold Road and the connection between the jades of Qin Style and the Xirong Culture.