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中文摘要：
基于海德格尔的基础存在论得出艺术作品的两个基本特征，表明在存在意义上艺术作品之为作品的现实性在于真理的生成。立足于海德格尔晚期思想阐释生成的概念，为从本己性、参与性及和谐性三个维度理解审美之生态属性奠定了基础。审美的生态属性为建构农村景观之生态美学提供了一种可能的新视点。通过描述农村景观现象中集体生活、集体记忆和文化传统之间的关联，阐明农村景观之生态审美是基于大地基质、乡村故事、生态长廊三个变量的动态结构。
英文摘要：
The essential characteristic of artwork based on Heidegger＇s fundamental ontology indicates that the reality of artwork lies in the word Ereignis on the sense of being.By interpreting the mean-ings of Ereignis which penetrates through Heidegger＇s thought,it provides a solid ground for under-standing the ecological attribute of aesthetics from three dimensions：individuality;participation;har-mony.When translated into Sage,ecological aesthetics has inherent characteristics of collective con-sciousness,memory and tradition,offering an alternative way for the ecological aesthetics of rural landscape.Finally,it is concluded that the ecological aesthetics of rural landscape is a dynamic con-struction integrated with three variants including earth matrix,village story,and ecological corridor.
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