文章借鉴格尔茨的“文化一解释”逻辑,用实地考察方法书写了岜沙苗民的生态文化特质民族志。岜沙苗民通过不同时代不同主题的历史记忆进行主流文化的书写,所在社区的香樟亭实际上是一种文化性建构事务。岜沙苗民的影视重现,体现他们从边缘走向主流的抗争和文化营销方式,使得都市人有了认识西南山区边缘人群的机会。
With Reference to Clifford Geertz's cultural interpretation'logic, with the on-the-spot investiga- tion method, the paper describes ethnography of ecological culture trait of Bia sha people. Bia sha people, through the historical memories of different eras and different themes, write mainstream culture, with Camphor pavilion, in fact, a kind of cultural construction. The films to reproduce Bia sha people reflect their struggles and culture mar- keting from fringe to mainstream, which provides urbanites with the chance to know the marginal group in the southwest mountainous areas.