海明威与朗费罗虽然相隔一个多世纪,但是他们之间有千丝万缕的情感联系.从文本间性的视角研究,朗费罗1850年发表的《浮木燃起的柴火》为海明威1925年发表的《了却一段情》环境描写、人物心理刻画、故事结构以及主题提供了一个参照;海明威继承了朗费罗的传统文学经典中的文学观和伦理道德观,并恰当处理好传统与现代文学创作关系,同时在文本中也展现了海明威的文学审美的独特创造.
Although there is a long time between Hemingway and Longfellow, they all have complex and intimate emotion connection. Hemingway also has strong traditional complex, and especially, he has great interest in Longfellow. Under the perspective of the intertextuality, the end of something written by Hemingway is influenced by Longfellow's the Fire of Drift wood in environmental writings, plots and structure, main topic and the liking. Hemingway learns from Longfellow's literary view and literary ethics and shows his own literary aesthetics ideology.