康拉德的《海隅逐客》以“爱伊莎的面纱”为象征和隐喻,提出了一种殖民地女性形象建构的新模式,这种模式从西方文化的角度对殖民地女性进行了一种身体想象和话语建构,探讨了作为“面纱”象征的伊斯兰宗教文化与西方宗教文化、伊斯兰民族与西方民族的冲突和对立,以及这种二元对立在殖民地女性形象建构中的体现.
Conrad takes "Eisa's veil" as the symbol and metaphor in Outcast of the Islands, puts forward a new model of building colonial feminine image, this model takes a kind of body imagination and discourse construction of colonial women from the perspective of western culture, discusses the conflict between Islamic and Western and the "veil" symbol of Islamic religious culture and Western religious culture, and the exemplification of dualistic in the construction of colonial feminine image.