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中文摘要：
在言情影视剧中,作为主角的残障人物的爱情、友情、亲情叙事体现着关于自恋人格的侵凌性本质,“侵凌性”概念来自拉康的自恋认同学说。残障角色无私奉献、忠诚善良,与无条件之爱是一体化的关系,其中蕴含着残酷的权力话语。剧中的残障隐喻实质上是一种健全者对于残障者的否定,这种否定同时有性别差异。少数影视剧叙述的残障角色呈现异质性。
英文摘要：
The discourse of disabled leading roles narrated in romance films and TV dramas expresses aggression of narcissistic personality. The con- cept of aggression is a quote from Lacan＇s narcissistic philosophy. The disa- bled roles who are selfless devotion and kind-hearted loyalty integrated uncon- ditional love into one. The narration about disabled people contains brutal he- gemony discourse. The metaphor of disabled role indicates that the sound has a negation to the disabled essentially. This negation also has sexual differenti- ation. Heterogeneity emerged from disabled roles in a few films.
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