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中文摘要：
作为一个跨界能手,冯唐的自媒体写作可谓观察70后作家的一个支点。基于肿胀而起的创作内驱力、精神内分泌式的文字繁殖,外加一点任情任性的才情,某种程度上构成了冯唐青春叙事的写作范式。而与时俱进地玩转自媒体恰能让他肿胀的那喀索斯情结有效释放。只是当青春荷尔蒙的肿胀消失后,肿胀叙事能肿多久？文字能否在自媒体的信息繁殖中,走出自我重复的泥淖,建构叙事的历史景深？70后作家自我重复的叙事循环与自媒体写作自产自销的传播循环,是历史缺席后叙事失重的症候折射。作家叙事应如利刃,以个体的感觉经验与独到的美学修辞,锋利地切入时代的思想命脉,或表达深刻的内在分歧,或裸露隐匿的历史症候。
英文摘要：
As a transboundary expert, Feng Tang＇s We-Media writing can be taken as a fulcrum for observing 1970s writers. Feng Tang＇s youth narrative is composed of internal drive, text multiplication and wilful expression of emotions. We-Media writing can help him to release Narcissus complex. But how far would his narrative go？ How to reach history deeply and avoid self repetition？ The 70s writers＇ self repetition and We-Media writing＇s transmission cycle are the symptom of narrating weight loss. Writers＇ narrative should be based on individual feelings and aesthetic rhetoric to deeply show the internal divergence of the times and reveal the hidden symptom of history.
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