对毕飞字的研究不能仅仅限定在他作为先锋小说家转向现实与历史写作的转型,也不能过多地依赖于作家的自我阐释,“作家是靠不住的”。在肯定其转型的意义同时,应该更为关注他对于普遍人性的揭示,他对于人生与人性的错位之高强度和多重性的描写及由此造成的强烈而不忍卒读的疼痛感,这才是研究的重点。正像禅宗的三境界一样,不但能够入乎历史其中,而且能够出乎历史其外,在当下,更应该关注和鼓励他超越有限历史而及于深邃人性,实现新的突破。
The study of Bi Feiyu cannot be confined to his transformation to the writing of reality and history as an avantgarde novelist or dependent excessively on his self-interpretation, for "writers are not reliable. " While af- firming the significance of his transformation, we should pay more attention to his revelation of common humanity, because the study should focus on his depiction of the high intensity and multiplicity in the dislocation of life and human nature as well as the poignant and disheartening pain thus caused. Just like the three realms of Zen, Bi Feiyu should not only concern with history but also be heeded and encouraged to attain new breakthroughs by going beyond limited history and delving into profound humanity.