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中文摘要：
18世纪以来西欧国家开始对艺术与工艺进行划分，将艺术归为“审美”，工艺归为“实用”的范畴。这种分类概念移植到不同文化意识中未必能完全符合真理。在中国古代美学理念中“美”和“用”和谐统一，这与斯拉夫人对传统工艺的理解极为相似。东斯拉夫文化拥有悠久的手工艺传统。俄罗斯不同门类的技术大师遗留下来的大量作品是斯拉夫民族精神创作的结晶，包含着深刻的思想内容与丰富的象征意义。
英文摘要：
Is art a form of creation or a technique close to perfection7 Is there a need to distinguish art from handicraft？ These are the topics debated among the western scholars. Since the 18th century,Western European countries began to make a distinction between art and craft,with art classified in the category of aesthetics and craft in the category of practicality. However,when transplanted to different cultures,this method of distinction may not fit into their particular reality. While in traditional Chinese aesthetics, aesthetic pursuits and practicality are in harmonious unity, and similar notions can also be found in the Slavic people＇s understanding of traditional craft. The eastern Slavic culture has a long history of handicraft tradition. The Russian handicraft masters have contributed to handicraft works of art embodying the essence of Slavic spirit. They are profound in imagination and symbolic meanings. In introducing the folk craft of the Slavic people,the paper presents the interaction between individuality and tradition, creation and craftsmanship.
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