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对话主文本体:皮尔斯和洛特曼符号学视域中的文化标出性理论
  • 期刊名称:《符号与传媒》
  • 时间:0
  • 分类:H0[语言文字—语言学]
  • 作者机构:[1]西南民族大学, [2]四川大学符号学-传媒学研究所
  • 相关基金:国家重大社科基金项目“当今中国文化现状与发展的符号学研究”(13&ZD123)阶段性成果;西南民族大学研究生学位点建设项目“外国语言文学”(2014XWD-S0502)成果
作者: 彭佳[1,2]
中文摘要:

文化标出性理论将传统的文化二元对立分解为"正项-中项-异项"的三元关系,以此描述文化的动态变化。这一三元关系与皮尔斯的三分范畴观相对应,并且,中项作为区分正项与异项的边界,具有符号域中边界的多语性。这证明了文化标出性理论是对话主义本体的:中项和正项、异项之间存在"实质性的对话关系"。这种对话关系范式体现了文化标出性理论的多元性与先进性。

英文摘要:

In the theory of cultural markedness, binary opposition is broken and the dynamic relations among oppositions are described by a "positivemiddle item-negative" model, which is compatible with the Peircean semiotic trichotomy. Moreover, the "middle item" in this model, the boundary distinguishing the positive from the negative, is as multilingual as the boundaries of and within the semiospherc. It is argued that the theory of" cultural markedness is one of ontological dialogism, that is, there are substantial dialogic relations between the positive and negative, and such a dialogic paradigm can thus be regarded as a paradigm for contemporary semiotic theories.

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